White-headed Pigeon
Princeton Audubon Double Elephant Edition
Double elephant (life size - 26 1/4 x 39 1/4) •Limited edition of 1500. •Pencil-numbered and embossed with the Princeton Audubon Limited seal. •Up to 11 color plates used. •Specially developed fade-proof inks. Absolute color fidelity to the actual original. •Printed on a 300 line. •Very heavy archival paper which is recommended by the Library of Congress for archives and is specially toned to match the actual color of the antique originals. •Registered to purchaser. •As permanently displayed at The Royal Society of London, to which Audubon belonged as a Fellow.
Princetons began with the purchase of the actual originals which were physically used in the production process. A giant camera with film the same size as the print took a direct-capture picture of the original, and this exact image was transferred directly to the metal printing plates. There are no other Audubon facsimiles which match the quality of Princeton prints.
Based on a composition painted at Indian Key, Florida in April 1832. The landscape artist, George Lehman, painted the flowering limb of the geiger tree.
"I saw them as they approached the shore," Audubon wrote, "skimming along the surface of the waters, flying with great rapidity, much in the manner of the common house species, but not near each other like the Passenger Pigeon. On nearing the land, they rose to the height of about a hundred yards, surveyed the country in large circles, then with less velocity gradually descended, and alighted in the thickest parts of the mangroves and other low trees."
Appearing quite dark except for the shining white crown, most of these pigeons winter on Caribbean islands from whence they make an annual crossing to the Florida Keys to nest in colonies in coastal mangroves.
Princeton Audubon Double Elephant Edition
Double elephant (life size - 26 1/4 x 39 1/4) •Limited edition of 1500. •Pencil-numbered and embossed with the Princeton Audubon Limited seal. •Up to 11 color plates used. •Specially developed fade-proof inks. Absolute color fidelity to the actual original. •Printed on a 300 line. •Very heavy archival paper which is recommended by the Library of Congress for archives and is specially toned to match the actual color of the antique originals. •Registered to purchaser. •As permanently displayed at The Royal Society of London, to which Audubon belonged as a Fellow.
Princetons began with the purchase of the actual originals which were physically used in the production process. A giant camera with film the same size as the print took a direct-capture picture of the original, and this exact image was transferred directly to the metal printing plates. There are no other Audubon facsimiles which match the quality of Princeton prints.
Based on a composition painted at Indian Key, Florida in April 1832. The landscape artist, George Lehman, painted the flowering limb of the geiger tree.
"I saw them as they approached the shore," Audubon wrote, "skimming along the surface of the waters, flying with great rapidity, much in the manner of the common house species, but not near each other like the Passenger Pigeon. On nearing the land, they rose to the height of about a hundred yards, surveyed the country in large circles, then with less velocity gradually descended, and alighted in the thickest parts of the mangroves and other low trees."
Appearing quite dark except for the shining white crown, most of these pigeons winter on Caribbean islands from whence they make an annual crossing to the Florida Keys to nest in colonies in coastal mangroves.